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Playing On Series 2: MBRYO

mbryo

MBRYO is the genius behind the theme music for The Players and also writes some very special compositions for us such as the runway music created for Henri's fashion show for Flora. In this, our first episode of Playing On for 2019 Samsara has sits down for a chat with him at The Ambitious Act Cafe to talk about their collaboration and also his background and other artistic projects.

MUSICAL COMPOSITION BY MBRYO

In 2018 mbryo (Matt Brown) worked with the Horrendus team with an original score inspired by Byzantine chant, medieval instrumentation and a splash of distortion.  Also at the Comedy Festival last year, his music featured in Rod Lara’s Banjo at the Spiegeltent. 2017 saw mbryo working with Illumi-Nation Theatre on Sarah Kane’s 4.48 Psychosis, Daniel Keene’s Lost: 5 , and with Owl and Cat Theatre for Erasers, INT, A Very Modern Marriage, Asylum and A Matter Of Life And Death, amongst others.  For the screen his credits include Black Death (Global Mana Foundation),  Lifting Clouds (Medea Films), Polyamor and Wish (Kamizai Films) and The Phantom Frequency (NYFA).  His interest in gaming and interactivity has led to working with Arludo on educational mobile games and, previously, with Tentative Games on Lamb Slam. Trained at La Trobe University, mbryo incorporates numerous styles, including art and orchestral music, metal, blues and electro with a textural focus.  He also creates interactive, aleatoric audio/visual works for his band 'XIBE8' utilising computer and voice.

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CHAPTER 26: The Outrageous Compromises

CHAPTER 26 The Outrageous Compromises

LISTEN HERE
SCENE 1: The Outrage Dan and River call Emerald and Henri into a design meeting to solve some problems.
FEATURING: Dan Brasher, April Garreffa, Imbi Leili Ling, and Damian Vuleta
SCENE 2: The Compromise Henri convinces Edward to wear the right costume for the character of King Richard III
FEATURING: Scott Knight and Damian Vuleta
SCENE 3: The Arrival Sophia arrive in Australia and reminds Flora what she needs to do to make their plan work.
FEATURING: Samsara

Episode 24 - The Calming

INT.BISTRO.SIENNA AND BRICK ARE HAVING A DRINK.MICHAEL WALKS IN AGITATED AND HEADS STRAIGHT TO THE BAR.
BRICK
Oh, look, your dad has just come in.
SIENNA
Where? (turns head) Oh, there he is.Oh dear, he does not look happy.
BRICK
I wonder what has him so riled?
SIENNA
Ah, my guess is that would be me.
BRICK
Why, what did you do?
SIENNA
He rang me just before we went out shopping and I burst into tears and told him the whole sorry story.Obviously I was feeling a whole lot less confident then, than I do now with all the help and support you and Emerald are giving me.
BRICK
I think we should invite him over.He should hear the good news,That way he will be able to sleep tonight.
SIENNA
The good news! Hah.
BRICK
Now, now, I thought we were past all that.You take another swig of that very effective Margarita and I will bring him over.
SIENNA
Mmmm.Good idea.Order me another while you’re up there.This one is going down very easy.(both laugh).
BRICK
It’s a good thing you are my cousin or I could have my wicked way …

Episode 26 - The Remonstration

INT.  BACK STAGE.  RIVER AND FRANK ARE GOING OVER THE SCHEDULE FOR THE NEXT DAY.
RIVER Yes, Frank, that should work.  I nearly had a heart attack when the supplier rang and gave me the final dimensions!
FRANK No stress, Miss Drummond.  Every problem has a solution.
RIVER (laughing)  Frank, we are going to be working together quite intimately for a long time to come, so I think you can start calling me River.
FRANK Thanks River.  I wasn’t sure.  What, with you being the boss’s daughter and all.
RIVER When we are here at Dramaticus I am the Head Stage Manager, not Ruby’s daughter.  You are the Technical Manager and we are going to have to develop a strong working relationship in order to make this theatre work.  We can’t do that if I am putting on airs and graces, or if you think you can’t speak opening and honestly with me without fear of repercussions.
FRANK That is true.  I am very relieved to hear you say that. 
RIVER Look, it’s getting late and there is not much more we can do today.  How about…